Democracy & Governance
Trauma of our Nation and the Narratives in Chimamanda Ngozi Adichie’s “Half of a Yellow Sun” -By Caleb Onah
Adichie’s narrative today serves as a testament to the endurance of the Nigerian people and their ability to navigate through trauma and emerge with renewed hope. While “Half of a Yellow Sun” portrays a specific historical period, its themes of trauma and resilience resonate with the current settings in Nigeria which is what I personally am grateful for.

Our country Nigeria, a nation with a rich and complex history, has experienced significant trauma throughout its existence. This trauma, stemming from colonisation, civil war, political corruption, and socio-economic struggles, has left an indelible mark on the nation and its people.
I can say that part of Nigeria’s traumatic history can be traced back to the era of colonisation, when the British Empire exerted its influence over the region.
The oppressive colonial rule disrupted traditional socio-cultural structures, exploited natural resources, and fostered a deep sense of powerlessness among the Nigerian people. This trauma continued even after Nigeria gained independence in 1960, as political instability, corruption, and ethnic tensions plagued the nation.
One of the most significant traumatic events in Nigeria’s history was the Biafran War, which took place from 1967 to 1970. The war erupted as a result of ethnic and political tensions between the Igbo people, who sought secession, and the Nigerian government. The conflict led to the loss of millions of lives, widespread famine, and displacement on an unprecedented scale. The trauma inflicted during the war reverberates through Nigerian society to this current day.
Chimamanda Adichie masterfully captures the trauma of our nation in Half of a Yellow Sun, set against the backdrop of the Biafran War. Through her vivid characters and their interwoven stories, she provides a deeply personal portrayal of suffering, resilience, and the impact of war and disorderliness on individuals and communities.
Their lives are forever altered by the outbreak of war, and Adichie takes us on a harrowing journey through their experiences. The narrative of suffering in Half of a Yellow Sun is multifaceted. It depicts the physical horrors of war, such as bombings, starvation, and displacement. We as before still witness our struggle to find food, maintain basic necessities, and protect our loved ones amidst the chaos.
Just as Adichie’s descriptions are visceral, evoking a profound sense of empathy and a stark realisation of the human cost of conflict. Nigeria today is trauma inflicted on individuals’ psyches, the erosion of trust, and the deep-seated fear that permeates our daily lives.
Just as the characters grapple with guilt, loss, and the challenge of maintaining their humanity in the face of unimaginable adversity; the portrayal of emotional journey, resilience and hope illuminates the complex aftermath of past war and the current enduring impact it has on individuals long after the fighting ends.
Parallel Themes
It is time we microscopically look at our nation’s collective experience, reflecting the broader struggles faced by people today. Today the greed, nepotism, and abuse of power that have hindered our nation’s progress are still prevalent.
The detrimental impact of such corruption on individuals’ lives, and communities has led to personal and political trauma in our society today. However, the trauma experienced by Nigerians during that period has had lasting effects on the country’s socio-political landscape and continues to shape the present context except something extraordinarily done to avert this menace.
Sad enough, Nigeria today still grapples with various forms of trauma resulting from historical events and ongoing challenges. While the Nigerian-Biafran War officially ended in 1970, the scars of that conflict remain in the memories of those who lived through it, passed it onto the current generation and in the collective consciousness of our nation.
The trauma experienced by individuals and communities during the war has had and still having intergenerational effects, influencing social divisions and political dynamics. Moreover, Nigeria has faced and continues to face various other forms of trauma and challenges.
In recent times, our country has been confronted with instances of political instability, corruption, ethnic and religious tensions, economic inequality, and violence, such as conflicts in the Niger Delta Crisis, Kidnapping in the East and North-Central, Farmers-Headers Crisis in the North-Central and the Boko Haram insurgency in the Northeast.
These contemporary issues contribute to a climate of trauma and unrest for many Nigerians. Citizens face the consequences of violence, displacement, loss of loved ones, and the daily struggle for basic needs and security. The trauma experienced by individuals and communities manifests in various ways, including mental health issues – depression, insomnia, hopelessness, post-traumatic stress disorder (PTSD), and the erosion of trust in institutions and authorities.
Worthy of note and similar to the characters in “Half of a Yellow Sun,” Nigerians today demonstrate resilience and strength in the face of adversity. From economic inflation to naira crushes, election disappointment, and the removal of the petroleum subsidy
Grassroots movements, civil society organisations, and individuals are working towards healing, reconciliation, and social change. They strive to address the root causes of trauma and to foster unity, justice, and a more inclusive society.
Additionally, contemporary Nigerian literature, arts, and cultural expressions continue to explore and reflect on the country’s traumas and challenges. Authors, filmmakers, and artists provide platforms for discussing and processing collective experiences, highlighting the need for healing, dialogue, and understanding.
In summary, Adichie’s narrative today serves as a testament to the endurance of the Nigerian people and their ability to navigate through trauma and emerge with renewed hope. While “Half of a Yellow Sun” portrays a specific historical period, its themes of trauma and resilience resonate with the current settings in Nigeria which is what I personally am grateful for.
However, as Nigerians, we continue to navigate these difficulties, seeking healing, justice, and social change, and drawing strength from our collective experiences.
The characters’ determination to survive, rebuild, and maintain their cultural identity in the aftermath of war reflects the indomitable spirit of our nation and I strongly believe Nigeria and Nigerians will continue to heal.